These two graphics from https://www.reddit.com/user/TheYLD/ are a great quick way to understand the new series of novels that are coming out and what order to read them.
We have started a Dicehaven Book Club where we select and read one Sci Fi or Fantasy book each month and then meet for about an hour via Zoom to discuss (and have a private GroupMe for off-line discussions of the books). I thought I’d share the structure of how we (at the moment anyway) plan to organize our club.
My musings on three products I loved from the 70s which had some likely-not-coincidental cross-over use of drug-dependant albinos and sci fi Beowulf references.
Recently I finished reading ‘Elric of Melniboné’, the first book in the original 6 novel Elric series by Michael Moorcock. Moorcock reads much like Robert E. Howard’s Conan: fast, pulp action, dripping with eldritch wizardry and exotic settings. Elric is the 428th sorcerer-emperor to hold the ruby throne of his kingdom. He is unusually introspective & weak for his race — he is a dependent albino who needs special potions to keep himself alive. He eventually encounters a sentient sword called Stormbringer who give him special strength — but at a cost.
Some have said that if Tolkien epitomizes about half of all fantasy literature, Moorcock is the muse for the other half. In contrast to Tolkien’s Christian take on medieval fantasy, Moorcock gives us a worldview dominated by a nihilism unsullied by concepts of good or evil. Chaos and Law are the only points on the moral compass of the land of Melnibone. In contrast to the Lawful Good D&D alignment of Tolkien’s protagonists, Elric is Chaotic Good on his best days, with descent into Chaotic Evil on occasion. (At least, this is how it seems in the first novel; I haven’t read the rest of the series to see how and if Elric evolves).
Elric does speak about Melniboné’s need to change away from its evil bent:
‘I must go away from Melnibone, Cymoril, for a year. What I have learned in recent months has made me want to travel the Young Kingdoms–see how other nations conduct their affairs. For I think Melnibone must change if she is to survive. She could become a great force for good in the world, for she still has much power.’
‘For good?’ Cymoril was surprised and there was a little alarm in her voice, too. ‘Melnibone has never stood for good or for evil, but for herself and the satisfaction of her desires.’
‘I would see that changed.’
The stories are a larger-than-life and hearken back to the Greek classics, in part due to the direct involvement of self-absorbed, Greek-style gods who are apathetic about the plight of humanity. As one blogger writes:
“In Elric of Melnibone you won’t find hundreds of pages of characters delivering monologue, spanking each other, engaging in lengthy introspection on their internal demons, or a description of every leaf color or market smell. What you will find is a fast-paced, action-laden adventure full of sword fights and sorcerous duels. This story embraces the “Sword & Sorcery” genre, whose modern roots were established by Robert E. Howard with creation of Conan, and who in turn derived it from Greek mythology and Tales of the Arabian Nights. The genre name was coined by Fritz Leiber in an exchange with Moorcock, who wanted a name to define the style. As the popularity of Lord of the Rings grew, by the late 80s and early 90s, Epic Fantasy had caused Sword & Sorcery to become a derogatory term. Many current authors of the “dark genre”, like Abercrombie, Lynch, and others owe some of their roots not only to Sword & Sorcery, but also the anti-hero, a character with flaws. Elric was the first character I read about with serious flaws: the weak strength, the subsistence on drugs, and a naivete that would come back to haunt him.” Source
It was a fun read, and I love the action packed writing style that is so richly evocative. The many ‘deals with the devil’ Elric is willing to make in his pursuit of his enemies are a bit dark for my tastes though.
‘Elric of Melniboné’ came out in 1972, but ‘Neutron Star’ had come out back in 1968. I’m not sure which character was first invented, or if either author influenced the other in creating their drug-dependant, albino anti-heroes, but sure seems like a weird coincidence 🙂
‘Neutron Star’ is a great introduction to Niven’s Known Space setting and introduces many key ideas like Known Space, Outsider Hyperdrive, and the Puppeteers. See my recent post for a recommended reading order for the Ringworld and Known Space series.
I’m now re-reading Ringworld, the next book in the series (it’s actually a couple of centuries after Beowulf Shaeffer’s time with other characters). Niven has written dozens of books in the Known Space settings, so there’s lots to read if you like Beowulf Shaeffer and Niven’s style of hard sci fi in the far-future setting.
“This is Free Trader Beowulf, calling anyone…Mayday, Mayday…we are under attack…main drive is gone…turret number one not responding…Mayday…losing cabin pressure fast…calling anyone…please help…This is Free Trader Beowulf…Mayday….”
— From the tabletop RPG Traveller
New Beowulf Shaeffer sci fi stories were coming out from 1968 and in a steady stream throughout the 70s. The books were wildly popular. Then in 1977, the Traveller RPG debuted, with the iconic ‘Free Trader’ model spaceship name the ‘Beowulf’. Coincidence? Hmmm. In any case, I know that when I bought the game around 1981 and I saw the name ‘Beowulf’ on the box cover, my first thought was of the Larry Niven Beowulf Shaeffer stories. And that was a good thing: I bought the game 🙂
I just finished Larry Niven’s Neutron Star; amazingly good stuff! I read a lot of Larry Niven’s Known Space science fiction back in the 80’s. I am beginning to re-read his novels. His characters and stories span several centuries, so it’s hard to know where best to jump in. I did some research and put together a recommended reading order. Below is the sequence in which I’ll be reading his epic saga. Oh, and this setting has an RPG as well. More on that in a sec.
For the uninitiated, Ringworld is an epic saga that has an original series written by Niven (Ringworld, Engineer, Throne, Children) followed by a new series of Known Space novel co-authored with Edward M. Lerner (Fleet of Worlds, Juggler of Worlds, Destroyer of Worlds, Betrayer of Worlds). Ring world was originally written in 1970. It was set in his Known Space universe and is a classic of science fiction literature. Ringworld won the Nebula Award in 1970, as well as both the Hugo Award and Locus Award in 1971 (one of the few novels ever to win both the Hugo and Nebula).
Niven later added four sequels and four prequels. (The Fleet of Worlds series, co-written with Edward M. Lerner provides the four prequels as well as Fate of Worlds, the final sequel.) These books tie into numerous other books set in Known Space.
And of course I’d be remiss if I didn’t mention the Ringworld RPG. I just ordered a copy off eBay. It’s long out of print, and not sure I’d ever run the system as is. By itself, if nothing else, it serves as an amazing setting guide for Known Space. The system uses Chaosium Basic Roleplaying system and has a version of the rules used in Call of Cthulhu, Stormbringer, and Runequest. One caution I’ve read from people who’ve played Ringworld RPG is to do something about the random age rules. The rules as written will let some players have very old characters who are healthy through the use of anti-aging booster-spice and are overwhelming more powerful that a young character. Just house-rule it so everyone is around the same age and you’re good to go.
I might run Ringworld RPG at NTRPGCon someday. If I ever run a campaign in this setting, I’d might use some version of Classic Traveller instead if players didn’t want to use the out-of-print rules.