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Author: Stan Shinn (Page 96 of 111)

Scrivener: Novel Writing Ecstasy

Scrivener Novel Writing Tool

Finally, a (nearly) perfect novel writing tool. Scrivener software (still in beta) is a light-weight but innovative software tool exclusively for Macintosh users. You can download a beta version for free at http://www.literatureandlatte.com. Click on the thumbnail images for full screenshots.

Scrivener’s outlining and note card capability allow you to organize your novel. You can annotate and categorize content in ways to allow you to flexibly craft the outline to the way you write.

Scrivener Fullscreen

Scrivener also has a full-screen mode text editor that whose background color is an eyeball-friendly black. No distractions and a slim column complete this optimized environment for the serious writer.


Required Elements of Chapter One

A great summary of how every novel should begin:

As far as beginning the novel in general, I think the surest formula (regardless of genre) goes something like this:

1. Grabber first sentence

2. Provocative first paragraph. This can range all the way from high action to quiet narrative, but it should (A) impart pieces of compelling knowledge while (B) giving rise to multiple intriguing questions.

3. First pages of continued high interest in present story (not jumping to a backstory scene), leading to

4. Inciting incident at end of chapter, with final

5. Hook

Full article at Forensics & Faith

The Art of Agile Plotting using Notecards

A great resource including printable template:

One of the oldest tools in the arsenal of writers is the modest and unassuming index card. It’s used for jotting notes, sharing phone numbers, creating bibliographies, capturing ideas, making lists, and –heck– even making indices. (Who would have thought?) But one of its primary uses, especially for people structuring stories, is in creating a plot outline. A pen, a table top, and a small stack of cards are all that’s needed to turn a mish-mash of incongruent or half-baked ideas into a plot that’s tight, logical and well-developed.

Have you ever come up with a concept for a story, video or presentation, but didn’t know how to begin?

Read full article at D*I*Y Planner.

Describing Uncontrived Prayer

I ran across this post from Dave Long on a non-contrived way to describe prayer.

The prayer that follows is in narrative form. This is very important, I
feel. Too often, writers feel compelled to put prayer into dialogue. It
is spoken out loud or in the mind, but it comes out word for word.
Personally, I feel this misses the point of prayer, which isn’t
necessarily the words said, but what is truly meant. Narrative allows
the meaning of the prayer, what God hears, to be shared with the
reader. It’s a nice little trick and ends up sounding less stilted and
more substantial than words that are spoken. See this portion from the
book:

She began at the beginning. She prayed for forgiveness for defying her father in marrying Teddy. Her father loved her, that was all, and he hadn’t wanted her to move so far away. She
had done it blithely, sure her father would come around, but he never had….

This is just a small example. Yvette continues praying, eventually getting to her guilt. Then, the supernatural:

She had just finished praying, still high from Maria-Jose’s Chesterfield,
when she felt at once the heaviness of what she had undertaken to keep
from Teddy, and a rushing upward in the top of her head. She caught her
breath, and looked down, and saw her own kneeling figure at the window
below. She could study the part in the dark hair on the top of her
head: it was a little crooked. She no longer felt the aching in her
knees—she no longer felt anything. She willed her body to look up, but
it stayed in the attitude of prayer, while she floated above.

It’s a small moment, and precisely rendered. The detail of looking at the part in her hair, tells us all we need to know of her perspective. The whole thing lasts a few moments and then Yvette seeks out the Mother
Superior to help her understand what happens. The nun’s response is to tell Yvette never to do that again, which confirms the mysticism of the moment, tingeing it with power and danger. Throughout her life Yvette
returns to that moment as a true spiritual experience.

Full article here at Faith*In*Fiction

Catholic Literary Revival?

Evangelicals get the lion’s share of coverage in the CBA market. But what about Roman Catholic fiction? Flannery O’Connor and J.R.R. Tolkien are two notable writers whose Catholic identity is integral to their writing. Other Catholic literature is finding mainstream distribution.

Read more

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