Tabletop RPG Podcast and Roleplaying Resources

Author: Stan Shinn (Page 107 of 111)

Using Index Cards

Anne Lamott’s Bird by Bird: Some Instructions on Writing and Life (Anchor, 1995) mentions how how she uses index cards for more than just composition:

I have index cards and pens all over the house—by the bed, in the bathroom, in the kitchen, by the phones, and I have them in the glove compartment of my car. I carry one with me in my back pocket when I take my dog for a walk. In fact, I carry it folded lengthwise, if you need to know, so that, God forbid, I won’t look bulky. You may want to consider doing the same. I don’t even know you, but I bet you have enough on your mind without having to worry about whether or not you look bulky. So whenever I am leaving the house without my purse—in which there are actual notepads, let alone index cards—I fold an index card lengthwise in half, stick it in my back pocket along with a pen, and head out, knowing that if I have an idea, or see something lovely or strange or for any reason worth remembering, I will be able to jot down a couple of words to remind me of it. Sometimes, if I overhear or think of an exact line of dialogue or a transition, I write it down verbatim. I stick the card back in my pocket. I might be walking along the salt marsh, or out at Phoenix Lake, or in the express line at Safeway, and suddenly I hear something wonderful that makes me want to smile or snap my fingers—as if it has just come back to me—and I take out my index card and scribble it down.

Quote courtesy of mleddy.blogspot.com.

What Frank Peretti Watches & Reads

Check out this interview with Frank Peretti. When someone’s sold 12 million books, it’s worth learning some lessons from their habits.

He sees movies as a great way to lean the craft of storytelling:

I don’t watch television. Barb and I disconnected the TV years ago. We watch a lot of movies, practically every night. I watch them to see how the story is handled. It’s like in music when you listen to others who play your instrument to learn how they play it. You learn by observing others.

And note the secular fiction he reads:

…Michael Crichton — I like the way he constructs his story, his cinematic style and his eye for detail. He’s easy and fun to read, he moves his stories along. He’s always in a techno-thriller thing and I like that kind of thing. Mostly, I just like the way he handles his craft. I also like John Grisham. He’s a pretty good writer. I read a little Dean Koontz every now and then. I read a little Stephen King because I keep being compared to him. I can’t see the comparison.

On The Plight of the Editor

Joel Miller–senior editor at Nelson Current–just posted an entry called, “Book Publishing and the Market.” In it he says,

Because I have so few publishing slots, I’m supposed to be the king of cynics, the Simon Cowell of books, e.g.: “I’m sorry, but it’s really bad. Really, really bad. Honestly.” Sentiments to that effect are communicated all the time. I’m nicer than that, of course. But book proposals are many, actual slots on the list are few. My job is similar to Cowell’s; I’m supposed to filter through the many to find the few. But it’s right at this point where everything gets difficult.

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WestBow Press Publishing “More Innovative Fiction”

This from Thomas Nelson’s President Michael Hyatt’s blog, on WestBow Press publishing “More Innovative Fiction”:

Thomas Nelson’s WestBow imprint is quickly gaining a reputation for publishing more innovative CBA fiction. Launched in late 2003, WestBow’s intention from the start was to raise the bar. “Our primary goal isn’t ‘edgy’ fiction but stories with a real, authentic voice that are entertaining, culturally relevant, and God honoring,” said publisher and industry veteran Allen Arnold. “When we find those voices, we don’t shy away from the edgy elements—or sugarcoat them.”

Read more on the From Where I Sit blog.

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